Σενάριο Supernatural │14×13 Lebanon.
Written by: Meredith Glynn and Andrew Dabb
Directed by: Robert Singer
Air Date: February 7, 2019
TEASER
EXTERIOR – PRECIOUS PAWN – DAY
[DEAN stands outside the shop. SAM joins him as they walk to the door.]
INTERIOR – PRECIOUS PAWN – DAY
[SAM and DEAN walk into the pawn shop. They walk to the counter, where TERRY is standing.]
TERRY
Howdy, fellas. Anything on the shelves, 20 percent off. Today only.
SAM
Great. Well, actually, we are, uh – we’re looking for the good stuff.
[DEAN takes out a bundle of cash.]
DEAN
The really good stuff.
INTERIOR – BACK ROOM – DAY
[TERRY opens the door to a back room. SAM and DEAN follow him in.]
TERRY
Everything back here is one of a kind. You got your basics – hands of glory, your Gris-Gris bags, your anointed dove’s blood. And then… we have the more premium items. You boys ever mess with dragon’s breath?
SAM
Actually, we’re, uh – we’re searching for something pretty specific.
TERRY
How specific?
DEAN
The skull of Sarah Good. She was executed during the Salem Witch Trials.
TERRY
Oh, I know who she was. And I think I can help you.
[TERRY opens the locker behind him. SAM picks up a teddy bear from the shelf and tries to pull the loop on its back.]
TERRY
I wouldn’t do that.
[SAM puts the bear back on the shelf. TERRY takes a skull out from the locker.]
TERRY
I’ll tell you what. I’ll make you a deal. I got this for a song at a flea market up in Pawtucket –
DEAN
No, you didn’t. Belongs to Bart Kemp. See, he’s a friend of ours – a hunter. Worked out of Boston up until last week. Somebody killed him – cut him clean in half.
SAM
See, when they, uh, found the body, his place had been emptied out, but I guess you already knew that, didn’t you?
TERRY
Huh.
[TERRY picks up the bottle of dragon’s breath and sprays it at the boys. The flames push them back. DEAN falls against the door, as SAM falls on the floor. TERRY takes a large sword and walks towards SAM.]
TERRY
Now, this – it’s called Chrysaor. Supposed to be able to cut through anything. Sliced up your pal real good with just one swing, but you – oh, you’re a big boy. You might take some work.
[TERRY swings his arms up, but a gunshot rings out, hitting him in the chest. He falls to the floor, the sword falling from his hands. DEAN is standing behind him, a gun in his hands.]
DEAN
They always talk too much.
INTERIOR – BACK ROOM – DAY
[TERRY is lying dead on the floor. SAM looks over a ledger.]
SAM
Whoa. Dean, according to this, he’s got a ton of occult objects here.
DEAN
What do you want to do with all this crap?
SAM
I don’t know. I mean, I-I guess we, uh, take it home, right?
[DEAN picks up the dragon’s breath and sprays it. The flames rise, but Dean stops pressing it. SAM shakes his head at DEAN.]
DEAN
Right, yeah. Good plan. Home.
ACT ONE
EXTERIOR – HIGHWAY – DAY
[The Impala drives down the highway.]
EXTERIOR – LEBANON VISTA THEATRE – DAY
[A group of teens sit outside the theatre.]
ELIOT
People say they’re brothers. All I know is I was standing right here when I heard this – bam! From the trunk of their car. And then this, like, shallow breathing.
MAX
No way.
STACY
Eliot, you’re creeping Max out.
[The Impala engine rumbles, and stops right in front of the theatre.]
ELIOT
That’s them.
[SAM and DEAN get out of the car. SAM is holding the ledger in his hand.]
DEAN
So what – you’re saying all this stuff is lethal?
SAM
Yeah, it looks like.
INTERIOR – LIQUOR STORE – DAY
[SAM and DEAN walk in. JACKSON is behind the counter.]
JACKSON
Hey. The Campbell brothers. Lemme guess – the usual?
DEAN
Make it double.
SAM
Dean, listen to this. Uh, hangman’s rope, fairy dust, John Wayne Gacy’s cigar box.
DEAN
So we’re talkin’, like, 31 flavors of weird, huh?
SAM
Pretty much, yeah. Listen, Jack and Cas are out with Jules and her crew, but when they get back, they can give us a hand cataloging all of this.
DEAN
Oh, cataloging, fun.
SAM
Something like this – maybe it’s what we need, you know, to – to… take your mind off things.
DEAN
Things? What things? Oh, you mean that thing that’s riding shotgun up in my head? That thing?
EXTERIOR – LEBANON VISTA THEATRE – DAY
ELIOT
I mean, think about it. Where do they even come from? Them or their weird sidekick with the trench coat. And what about that kid with the dumb Bambi on his face all the time?
MAX
So what? That doesn’t mean that they kidnapped Bigfoot or whatever.
[The girls laugh.]
ELIOT
You guys are dicks.
[STACY’s cell phone rings.]
STACY
Gotta bounce. See you later? At the thing?
MAX
Sure, yeah.
[STACY gets up from the bench and walks to the Impala.]
STACY
Whatever their deal is, they got an awesome car.
[MAX looks at the Impala and smiles.]
INTERIOR – LIQUOR STORE – DAY
[SAM is looking through the ledger.]
SAM
You’re not gonna believe this.
[DEAN turns to him. They look at the ledger together.]
SAM
It’s called the Baozhu. It’s one of eight ancient Chinese treasures. I-It’s a pearl that grants wishes. Sort of.
DEAN
Sort of?
SAM
Well, technically, it’s supposed to give you “what your heart desires.”
DEAN
That would be Michael outta my friggin’ head.
SAM
Exactly.
DEAN
So, you’re telling me that the answer to all of our problems is sitting right outside in the ca –
[SAM and DEAN see the Impala being driven away. DEAN rushes out of the bar.]
EXTERIOR – LEBANON VISTA THEATRE – DAY
DEAN
No, no, no, no, no! What the…
[SAM and DEAN turn to see ELIOT across the street, watching the car drive off.]
SAM
Hey, hey, hey!
[They run across the street to reach ELIOT.]
DEAN
Hey, hey! Don’t move!
ELIOT
I didn’t see anything, I swear.
SAM
Okay. Listen, that car is dangerous, okay?
DEAN
Swear to God, if anything happens to that car –
ELIOT
Please, I don’t wanna die!
[SAM and DEAN look confused.]
SAM
Die? Why – why would you… Just tell us what you saw.
ELIOT
I don’t wanna narc.
DEAN
You don’t have a choice.
ELIOT
Okay. It’s this girl Max. She’s new in town, so I don’t even know where she lives.
[DEAN gets angry.]
SAM
Don’t.
[SAM pushes DEAN away, and they walk back across the street.]
INTERIOR – POSTAL STATION – DAY
[MARTA is behind the counter. SAM walks in.]
MARTA
Help you?
SAM
I hope so. Um, I’m looking for a – a local kid, a teenager – Max something. I feel bad. I paid her to wash my car, but she took off before I could tip her, and I figured you knew everyone in town –
MARTA
So you want me to give you an underage girl’s address?
SAM
No, uh –
[DEAN walks into the postal station.]
SAM
It’s not like that.
DEAN
Marta. How’s that grandson of yours?
MARTA
Oh, he’s a spoiled little jerk, but I love him.
DEAN
‘Course you do. Uh, listen, my brother and I, we just need to talk to this girl, okay? So, if you could help us out, I would – I would really appreciate it.
MARTA
Oh, now, Dean, I-I-I can’t just go around handing out addresses all willy nilly. I-I-I-I took a vow.
DEAN
Please.
[DEAN places his hand on tops of MARTA’s on the counter. He taps it a few times.]
MARTA
But, um… I can tell you where to find her mother.
DEAN
Oh. Alright.
[SAM looks at MARTA, annoyed. DEAN smiles at MARTA.]
INTERIOR – RESTAURANT – DAY
[SAM and DEAN are talking to MAX’s mom, CAITLIN.]
CAITLIN
I’m gonna kill her.
DEAN
Does Max have a phone?
SAM
O-or do you have any idea where she might have gone?
CAITLIN
She’s supposed to be in school.
[Another employee walks into the room.]
EMPLOYEE
Skip day.
DEAN
What day?
EMPLOYEE
February 7th – that’s skip day. Kids ditch school. Some of them head out to this old house on Route 36 – throw a party. It’s a small town, man. Kids got to blow off steam.
EXTERIOR – OLD HOUSE, ROUTE 36 – DAY
[The Impala is parked outside the house.]
INTERIOR – OLD HOUSE, ROUTE 36 – DAY
[All of the occult objects are inside the house. STACY picks up the bear.]
STACY
What is all this stuff?
MAX
Found it in the back of the car.
BEA
Uh, creepy.
STACY
No. It’s awesome.
GUY
Pizza’s here!
STACY
Oh, thank God.
[STACY and the other girl get up from the couch.]
BEA
Oh, I’m so excited for pizza.
STACY
Me too. I haven’t eaten all morning.
[They leave the room. The cigar box opens. A cloud smoke comes out and forms into a hand.]
ACT TWO
INTERIOR – OLD HOUSE, ROUTE 36 – DAY
[ELIOT runs into the house.]
ELIOT
Hey! Th-those guys, they’re after Max, and they said something about –
STACY
Dude, one – you’re not supposed to be here. Two – chill. Max can handle herself.
INTERIOR – BATHROOM – DAY
[A boy, ETHAN walks into the bathroom. He blows a puff of air out of his mouth and chuckles. He starts to wash his hands. The mirror starts to frost. He wipes his hands and then wipes the mirror. A ghost of a clown stands in the mirror. The clown jumps at ETHAN.]
EXTERIOR – OLD HOUSE, ROUTE 36 – DAY
[An old pick-up truck stops outside the house. SAM and DEAN get out. DEAN walks over to the Impala.]
DEAN
Oh, Baby. Baby, Baby, please tell me you’re not hurt.
[DEAN looks over the Impala. SAM checks the backseat.]
SAM
Dean. Back seat.
[They both look into the back seat.]
SAM
It’s empty.
BEA
Ethan! Ethan, wait!
[ETHAN and BEA walk out of the house and rush past SAM and DEAN. SAM stops BEA.]
SAM
Whoa, whoa, whoa. Hold up. What happened? What’s going on?
BEA
He said he saw a ghost. It was a clown. He said it tried to kill him!
[DEAN runs to the house. SAM runs behind him.]
INTERIOR – OLD HOUSE, ROUTE 36 – DAY
[SAM and DEAN rush in, with their FBI badges. DEAN holds up his gun.]
DEAN
FBI! Everybody out! Let’s go! Move, move!
[All the teens run out of the house, except for ELIOT. SAM holds up his badge.]
SAM
Go!
ELIOT
FBI?
DEAN
Hey, let’s go. Come on, huh?
[DEAN pushes ELIOT out of the room and puts his gun back in his jeans.]
DEAN
Alright. Any of this stuff scream “clown” to you?
[SAM looks around the room. He sees the cigar box opened.]
SAM
John Wayne Gacy’s cigar box. I mean…
[SAM’s breath can be seen.]
DEAN
We should burn that right now.
SAM
Oh, yeah.
[SAM picks up the box and takes it to the fireplace in the room.]
DEAN
A serial killer clown. I mean, this is, like, the best/worst thing that’s ever happened to you, you know, ‘cause you love serial killers, but – but you hate clowns.
SAM
Yeah, I get it, Dean.
DEAN
Yeah, just saying.
[SAM puts lighter fluid over the box. He takes out his lighter and tries to flick it on. The lights in the room start to flicker.]
SAM
Come on.
DEAN
Sam… today.
[The lighter still doesn’t come on. The ghost clown appears behind DEAN. DEAN turns around and sees it.]
DEAN
Sam.
[The ghost clown rushes towards DEAN.]
EXTERIOR – OLD HOUSE, ROUTE 36 – DAY
[All the teens are waiting outside.]
ELIOT
Screw this.
[ELIOT runs back inside.]
STACY
Eliot, no!
[STACY runs after him.]
INTERIOR – OLD HOUSE, ROUTE 36 – DAY
[DEAN gets thrown against the couch. The box catches fire. The ghost clown screams as he goes up in flames. ELIOT rushes in as this happens, STACY stopping next to him, MAX behind her. When the ghost is gone, SAM and DEAN see the three teens standing there.]
SAM
Uh…
DEAN
Hey!
INTERIOR – OLD HOUSE, ROUTE 36 – DAY
[ELIOT, MAX and STACY are sitting on the couch. SAM and DEAN stand in front of them.]
ELIOT
That was a ghost!
SAM
Yeah, yeah, okay, listen. I-I know you need – or you want some sort of rational explanation for what happened here, but… there isn’t one.
[The teens look at SAM and DEAN with blank expressions.]
SAM
My brother and I, we hunt things. Evil things that shouldn’t exist.
DEAN
And we are damn good at what we do.
ELIOT
I knew it!
SAM
Yeah, but if most people out there knew the truth, if they knew what was out there –
DEAN
They’d lose their freaking minds. So what you saw here today, we’re gonna keep that a secret.
[SAM and DEAN look at the teens, as they look back at them.]
STACY
Okay.
EXTERIOR – HIGHWAY – NIGHT
[The Impala drives down the highway.]
INTERIOR – BUNKER LIBRARY – NIGHT
[SAM is standing at the table, holding the Baozhu in his hands. DEAN is sitting at the table, with a beer.]
DEAN
John Wayne Gacy’s ghost. Well, that’s one of the record books.
SAM
Dean.
DEAN
Hm?
SAM
I think this is it.
DEAN
The pearl?
SAM
Yeah.
DEAN
Let’s do it.
SAM
Are you – are you sure you don’t want to call Mom or – or wait for Cas?
DEAN
No. No, ‘cause, you know, if this mojo works like you say, great. If not… why get their hopes up?
[DEAN stands up next to SAM.]
SAM
Yeah.
DEAN
Okay.
[SAM gives DEAN the pearl.]
DEAN
So, what do I…
SAM
I don’t know. I-I guess you – you hold the pearl and – and concentrate on what your heart desires.
DEAN
Michael outta my head. Got it.
[DEAN picks up the pearl and holds it in his hand. He looks at SAM before closing his fist around it, closing his eyes. The lights in the bunker start to flicker, the red emergency lights coming on. DEAN opens his eyes as he and SAM look around the room.]
[A man appears from behind them and swings at SAM. SAM moves, but the man hits him with his gun, pushing him to the floor. DEAN swings at the man, but the man hits him with his several times, sending DEAN to the ground, near SAM. A gun cocks.]
MAN
Don’t you move.
[The emergency light turns off, the regular lights come back on. DEAN and SAM look at the man in shock.]
DEAN
Dad?
[The man is JOHN.]
ACT THREE
INTERIOR – BUNKER LIBRARY– NIGHT
[JOHN looks at the boys in shock.]
JOHN
Dean? Sam? What in the hell?
[JOHN looks around the room, as the boys stand up from the floor.]
JOHN
Sammy. Aren’t you supposed to be in Palo Alto?
SAM
Palo Alto?
JOHN
What happened to you?
DEAN
What year is it?
JOHN
It’s 2003.
SAM
It’s 2019.
JOHN
No. How?
SAM
We, uh… I-I think we summoned you.
JOHN
You boys better tell me what the hell is going on right now.
INTERIOR – BUNKER KITCHEN – NIGHT
[DEAN pours whiskey into a glass. JOHN picks it up and takes a sip.]
JOHN
So, you saved the world?
DEAN
More than once.
JOHN
Then it’s all true. God, the devil, you boys smack in the middle. Now you live in a secret bunker with an angel and Lucifer’s kid.
DEAN
Yeah.
SAM
Yeah.
JOHN
And you’ve done this whole time-travel thing before?
DEAN
A few times. Actually, uh, our grandfather, your dad – he’s the one who helped us find this place. I think he’d be real happy to know you’re finally here.
JOHN
Right. Man of Letters.
SAM
Yeah. W-We’re legacies… because of you.
[JOHN smiles at SAM, then chuckles to himself.]
JOHN
So, you’ve, um – you’ve been busy.
SAM
A little bit.
JOHN
I-I don’t… I-I just… I just wish that I had been there to see it.
DEAN
Dad, none of this would have happened without you.
JOHN
It’s good. It’s fine. I-I went out takin’ out Yellow Eyes. I mean, that was the point, right? I mean, get the thing that killed mom.
SAM
Yeah, yeah, uh, Dad. About Mom…
[MARY’s voice is heard from the hallway.]
MARY
Sam? Dean?
[JOHN looks shocked.]
JOHN
Mary?
[MARY walks into the kitchen. JOHN turns around and smiles at her. She walks over to him in shock, as he stands up from the table. She smiles at him, as he leans down to kiss her. They embrace each other as SAM and DEAN look on. SAM gestures for DEAN to leave the kitchen. The boys stand up from the table and leave.]
INTERIOR – BUNKER HALLWAY – NIGHT
[SAM and DEAN walk down the hallway.]
DEAN
It’s dad. This is amazing, man. I’m – I’m – I’m freaking out.
SAM
Yeah, I know. But, Dean – Dean, listen.
DEAN
What? What?
[They stop walking.]
SAM
How did this happen?
DEAN
I-I-I don’t know. You said that the – the pearl gives you what your heart desires, right? So, my heart desired – I – I’ve wanted this, man. I’ve – I’ve wanted this since I was 4 years old.
SAM
Okay, I know, and I-I-I-I love this, too, Dean. I do, honestly, but – but messing with time –
DEAN
No, no, no, Sam.
SAM
You know how this ends. Things change.
DEAN
Yeah, great – we got our family back together. I’ll take that change.
SAM
That’s not what I mean.
DEAN
Stop. Just stop, okay? Look, can – can we just have one family dinner? Just one? Us – all of us together. That’s all I want. Can you just give me that?
[DEAN walks away.]
SAM
Dean –
INTERIOR – BUNKER LIBRARY – NIGHT
[JOHN is looking through the books on the shelves. SAM walks in.]
JOHN
This place – I don’t even know.
SAM
Yeah, yeah. Uh, when we – we, uh, first moved in, I-I think it kind of blew our minds, too.
[JOHN smiles at SAM.]
SAM
Um, where’s – where’s mom?
JOHN
Oh, she’s, uh, gettin’ your brother a shopping list. She’s gonna make that casserole of hers.
[SAM laughs.]
SAM
Yeah, Dean and I tried to make that once.
JOHN
I, um… I remember. I screwed up with you a lot, didn’t I?
SAM
No, that’s okay.
JOHN
No, it’s not. Sammy, tell me the truth.
SAM
I don’t want to talk about that.
JOHN
You didn’t have a problem talking about it before you left.
SAM
Dad… for me? That fight… that was a lifetime ago. I don’t even remember what I said, and – I mean… yeah. You know what? You did some messed-up things. But I don’t… I mean, when I think about you… [voice breaks] and I think about you a lot… I don’t think about our – our fights. I think about you… I think about you on the floor of that hospital. And I think about how I never got to say goodbye.
[JOHN puts his hand on SAM’s shoulder.]
JOHN
Sam. Son. I am so sorry.
SAM
I’m sorry, too. But you did your best, dad. You – you fought for us, and you loved us, and… that’s enough.
[JOHN tearfully smiles at SAM and pats his shoulder.]
INTERIOR – HALLWAY – NIGHT
[MARY hands DEAN a piece of paper.]
DEAN
Okay.
[DEAN walks down the hallway.]
SAM
Dean, hold on. Hold on. Just…
DEAN
What?
SAM
Listen. You, um… you’re right. You want some company?
[DEAN smirks.]
EXTERIOR – HIGHWAY – NIGHT
[The impala drives down the highway.]
EXTERIOR – LEBANON, KANSAS – NIGHT
[The impala pulls up in front of the liquor store. SAM and DEAN get out.]
DEAN
Alright. I’ll get the booze – you get the food.
INTERIOR – LIQUOR STORE – NIGHT
[DEAN walks in.]
DEAN
Alright, Jackson. It’s celebration time. Give me your best stuff.
JACKSON
Uh, do I know you?
DEAN
It’s Dean. Campbell. I come in here, like, always.
JACKSON
Oh. Right.
[DEAN is confused.]
EXTERIOR – LEBANON, KANSAS – NIGHT
[SAM walks out of the grocery store. MAX walks past.]
SAM
Hey, Max.
[MAX looks up at him.]
MAX
Weirdo.
[SAM crosses the street and stops in front of the postal station. He waves at MARTA.]
SAM
Hi.
[MARTA closes the blinds. SAM shakes his head and walks down the street. He stops by a window, seeing a WANTED sign with DEAN’s face on it. He rushes back to the car.]
[DEAN is leaning against the car, looking at his phone.]
SAM
Dean. Dean, we have a problem.
DEAN
Yeah, yeah, we do. Check this out.
[DEAN shows SAM his phone. There’s a video of SAM wearing glasses and a turtleneck sweater, on the screen.]
SAM
Is that me?
DEAN
According to the internet, you run a law firm and love kale. Wait till you check your, uh, wannabe TED talk.
[DEAN starts the video.]
ALTERNATE SAM
Invest in a treadmill desk, don’t drink coffee, and stick to a raw food diet. I mean, God bless kale – am I right? Truth is –
SAM
Okay…
DEAN
No, no, it gets worse.
ALTERNATE SAM
And this is hard to hear – performing at your best requires all of your mental energy. Every last drop. You see, it’s just not compatible with something like, uh… hobbies or, uh – or even having a family.
SAM
Okay. That’s enough of that.
[SAM turns off the video.]
SAM
Listen, Dean, there is a wanted poster for you, hanging in the post office.
DEAN
Oh, yeah, no, I-I Googled me, as well. Um, lotta beheadings.
SAM
I was right – messing with time changed things.
DEAN
Well, I mean, I’m still hunting, but you’re internet famous. So, what – is there two of us running around here?
SAM
No, I don’t think so. I think it’s a temporal paradox. We pulled dad here from 2003, right? So time is self-correcting. Our timeline is changing to this new one.
DEAN
So, what do you mean?
SAM
It means, I think, that, if we don’t fix this, then we become those other versions of ourselves. Like, for real.
DEAN
Okay, well, I’m cool, but you’re – ugh.
SAM
That’s not the point. The point is, if – if all this is different, then what else changed?
EXTERIOR – ALLEYWAY – NIGHT
[The wind picks up. A rustling of wings. ZACHARIAH is standing under the light of the street lamp. Another rustling of wings. ALTERNATE CAS walks over to him.]
ACT FOUR
EXTERIOR – ALLEYWAY – NIGHT
[ZACHARIAH steps in a puddle of water, burgers wrappers on the ground.]
ZACHARIAH
Earth – where you’re always stepping in something. Come on, Constantine.
[ALTERNATE CAS follows behind him.]
ALTERNATE CAS
I don’t understand that reference.
ZACHARIAH
You wouldn’t.
EXTERIOR – LEBANON, KANSAS – NIGHT
[DEAN and SAM stand near the Impala.]
DEAN
How are we gonna tell dad?
SAM
I don’t know. How are we gonna tell mom?
INTERIOR – RESTAURANT – NIGHT
[ZACHRIAH and ALTERNATE CAS walk in. ELIOT, STACY and MAX are sitting at one of the tables.]
CAITLIN
Can I help you?
ZACHARIAH
Bet you can. See, I need to know… who’s been messing with time.
CAITLIN
I’m sorry?
ZACHARIAH
Yeah, we sensed a – well, let’s call it a disturbance in the Force. And in Heaven, well, we’re – we’re not super fond of those.
CAITLIN
In Heaven?
ZACHARIAH
Yeah, yeah. In Heaven. This town – it’s always been a little… muddy for us. Some sort of… interference.
[ZACHARIAH sees the teens looking at him.]
ZACHARIAH
Hi. So, I’m going to ask one more time – who’s been playing “Back to the Future”? And you’re going to tell me, or he – [looks at ALTERNATE CAS] what’s the phrase I’m looking for? Oh – murders you all.
ALTERNATE CAS
My name is Castiel. I’m an Angel of the Lord.
[The lights crack. The teens gasp in fear. ALTERNATE CAS’s eyes flash blue, as the shadows of his wings appear, illuminating the room.]
EXTERIOR – LEBANON, KANSAS – NIGHT
DEAN
Let’s get out of here.
[SAM and DEAN turn to see light coming from the restaurant.]
SAM
What the hell?
[They rush towards the restaurant.]
INTERIOR – RESTAURANT – NIGHT
[CAITLIN and the teens gather around the table, scared. ALTERNATE CAS powers down. SAM and DEAN enter.]
DEAN
Get out! Go, go, go!
[CAITLIN and the teens run out of the restaurant.]
ZACHARIAH
The Winchesters?
SAM
Zachariah?
DEAN
Cas?
ZACHARIAH
Now, I-I-I know we had big plans for you, and then your daddy just up and disappeared, which… oh. You. This is all you.
DEAN
Cas, you know us.
ALTERNATE CAS
I don’t know you.
ZACHARIAH
Kill them.
[ALTERNATE CAS walks towards DEAN. DEAN takes out the angel blade.]
DEAN
Cas, don’t!
[ALTERNATE CAS punches DEAN and throws him over the counter. ZACHARIAH lifts his hand towards SAM, using his powers to choke him.]
ZACHARIAH
What did you do, Sam?
[SAM falls to his knees. DEAN picks up a cake stand that knocked over, and hits ALTERNATE CAS in the face with it, twice. ALTERNATE CAS ducks and throws DEAN against the wall.]
ZACHARIAH
What did you do? Sam. Speak, Ubu, speak.
[SAM is still choking.]
ZACHARIAH
What? What is it?
[SAM takes out the angel blade and stabs ZACHARIAH. His grace shines through him, as he screams. He falls to the floor, dead.]
[DEAN continues to fight ALTERNATE CAS. He punches ALTERNATE CAS in the face, as SAM tries to strike him with the angel blade. ALTERNATE CAS punches SAM and DEAN repeatedly, before throwing SAM into a table. He punches DEAN, and throws him against the shelves, as glasses break.]
[ALTERNATE CAS turns to SAM and hits his head against the table several times before punching SAM across the face. SAM falls to the floor.]
[ALTERNATE CAS walks over to DEAN and picks him up, grabbing his throat.]
DEAN
No. No, no, no, no, no, no!
[ALTERNATE CAS starts to choke DEAN. DEAN tries to push him away.]
DEAN
Cas. Cas. Stop it.
[A light fills the room, as ALTERNATE CAS screams. He vanishes. The light fades. SAM takes his hand off the sigil on the ground.]
ACT FIVE
INTERIOR – BUNKER LIBRARY – NIGHT
[The table is set with plates and glasses. JOHN and DEAN stand next to the table.]
JOHN
A “temporal paradox”?
DEAN
That’s what Sam’s calling it. Egghead.
[JOHN chuckles.]
DEAN
Basically, uh, if you don’t go back, Sam never gets back into the life, um, and Mom, she, uh…
JOHN
What?
DEAN
Well, without everything that we did – with God, The Darkness – she never comes back. Sam thinks that she’ll just fade away.
JOHN
Okay. I mean, me versus your mom? That’s – that’s not even a choice. Does she know?
INTERIOR – BUNKER KITCHEN – NIGHT
[MARY stands at the kitchen counter. SAM stands in front of her. She nods, crying.]
MARY
How?
SAM
Uh, the, uh… the lore is pretty clear. We destroy the pearl, and it unwinds all of this. Dad goes back… and so will everything else.
MARY
And he won’t remember anything?
[SAM shakes his head.]
SAM
No.
[MARY nods. She shakes her head, crying.]
MARY
Sam, I can’t.
SAM
I know. I know, mom.
[The timer rings loudly.]
INTERIOR – BUNKER LIBRARY – NIGHT
JOHN
You want to give your mom a hand?
DEAN
Yeah.
[DEAN starts to walk away.]
JOHN
Dean.
[DEAN turns back.]
JOHN
I, uh – I never meant for this.
DEAN
Dad, we pulled you here.
JOHN
No, son. My fight. It was supposed to end with me, with Yellow Eyes. But now you – you are a grown man, and I am incredibly proud of you. I guess that I had hoped, eventually, you would… get yourself a normal life, a peaceful life, a family.
[DEAN nods. He smiles.]
DEAN
I have a family.
[JOHN smiles.]
JOHN
Yeah. Alright. What’s next?
DEAN
We eat.
[DEAN leaves for the kitchen.]
INTERIOR – BUNKER LIBRARY – NIGHT
[SAM and DEAN sit across from JOHN and MARY. Everyone is quiet, as they eat in silence. JOHN looks at all of them.]
JOHN
Alright. Near as I can tell, we have two choices. Alright, we can think about what’s coming. Or we can be grateful for this time that we have together. Now, me…
[JOHN takes MARY’s hand.]
JOHN
I choose grateful.
[He kisses her hand.]
JOHN
So, to whatever brought us together, we owe you one. Amen.
DEAN
Amen.
MARY
Amen.
SAM
Amen.
[They all clink their glasses together and enjoy their meal, as “Till It Shines” by Bob Seger & The Silver Bullet Band plays over the scene.]
INTERIOR – BUNKER KITCHEN – NIGHT
[DEAN is washing the dishes. He passes them to SAM, who wipes them.]
SAM
Did you see them at dinner, the way they looked at each other? They just seemed happy, you know? It doesn’t feel fair to get all this and have to throw it away, and I know we have to. But it just feels like, you know… Once we send dad back… it’s none of this ever happened. He – he just goes back to – to… to being dad.
DEAN
You saying you wish things would be different?
SAM
Don’t you? Can you imagine – dad in the past, knowing then what he knows now? I… I think it would be nice.
DEAN
Yeah. I used to think that, too. But, uh… I mean, look, we’ve been through some tough times. There’s no denying that.
SAM
Yeah.
DEAN
And for the longest time, I blamed dad. I mean, hell, I blamed mom, too, you know? I was angry. But say we could send dad back knowing everything. Why stop there? Why not send him even further back and let some other poor sons of bitches save the world? But here’s the problem. Who does that make us? Would we be better off? Well, maybe. But I gotta be honest – I don’t know who that Dean Winchester is. And I’m good with who I am. I’m good with who you are. ‘Cause our lives – they’re ours. And maybe I’m just too damn old to want to change that.
INTERIOR – BUNKER LIBRARY – NIGHT
[JOHN and MARY take each other’s hand.]
MARY
I hate this.
JOHN
So do I.
[SAM and DEAN stand across from them.]
JOHN
Okay.
[He turns to MARY.]
JOHN
My girl.
[MARY smiles through tears.]
JOHN
I miss you so damn much.
MARY
Me too.
[They kiss. MARY kisses JOHN’s cheek and hugs him, tightly. They pull away from each other, as JOHN turns to SAM and DEAN.]
JOHN
You two. You take care of each other.
SAM
We always do.
DEAN
Good to see you, dad.
JOHN
Yeah. I am so proud of you boys.
[SAM tries to smile through tears.]
[JOHN pulls them both into a hug.]
JOHN
I love you both so much.
[SAM wipes his tears away with the back of his hand. DEAN cries.]
DEAN
I love you, too.
[JOHN sighs, breathing harshly. He pulls away from them.]
JOHN
Okay. Okay. I’m ready.
[JOHN takes MARY’s hand. He winks at her. He faces SAM.]
JOHN
Sammy.
[SAM picks up the pearl and puts it on the table. JOHN and SAM nod to each other. SAM picks up a bowl and brings it down. The pearl shatters. DEAN flinches at the sound. JOHN looks at MARY as he starts to vanish. His hand fades away from hers. MARY cries.]
EXTERIOR – LEBANON, KANSAS – NIGHT
[A shot of the town.]
INTERIOR – RESTAURANT – NIGHT
[The mess made from the fight disappears, the tables and chairs are back to their original place.]
EXTERIOR – LEBANON, KANSAS – NIGHT
[The WANTED poster of DEAN changes to a marathon sign.]
[ELIOT, STACY and MAX walk down the street.]
ELIOT
Monsters! Those guys hunt monsters! That is so cool.
[STACY and MAX laugh, as they take each other’s hand.]
INTERIOR – BUNKER – NIGHT
[CAS walks in from the door at the top of the stairs. SAM, DEAN and MARY walk out from the library to see him.]
CAS
Mary, Sam, Dean. What happened?
[SAM scoffs.]
SAM
What happened?
[SAM looks at DEAN.]
DEAN
Well, there’s a story.
EXTERIOR – LAKESIDE – DAY
[The Impala is parked near a lake. JOHN sleeps in the front seat. He’s back in 2003. His cell phone rings on the dashboard. He wakes up and answers the call.]
JOHN
Dean. No, I’m okay. I just… I just had one hell of a dream. Yeah. No, it was a good one. I’m on my way back. I’ll see you soon.
[JOHN ends the call.]