Σενάριο Supernatural | 8×22 Clip Show
Written by: Andrew Dabb
Directed by: Thomas J. Wright
Air Date: May 8, 2013
TEASER
Lost Creek, Colorado
INT. CABIN – NIGHT
GIRL
I can’t believe you finally came up here with me.
TOMMY COLLINS
Why wouldn’t I?
SHELLY
I love this place. It’s like…I can breathe, you know?
Tommy [chuckles] you okay?
TOMMY (AT THE WINDOW)
Aah! Yeah. Yeah, I’m good.
[ Creature growls ]
Did you hear that?
SHELLY
What?
TOMMY
The growl?
SHELLY
No.Maybe it’s a bear.
TOMMY
[ Creature growls ]
Shelly, get back!
SHELLY
Baby, what is wrong?
TOMMY
It’s not a bear. It’s a Wendigo. Hide in the bedroom. Right now. Hide, Shelly!
SHELLY
Tommy, I don’t hear anything.
TOMMY GETS A GAS CANISTER FROM HIS BAG
SHELLY
What are you doing?
TOMMY
I’m gonna light his ugly ass on fire. Get back.
[ Creature growls ]
TOMMY CLUTCHES AT HIS HEAD
Aah!
[ Growling continues ]
SHELLY
What’s…H-happening?
[ Crying ]
TOMMY’S HEAD EXPLODES
Tommy!
ACT ONE
INT. BUNKER
SAM
Please tell me that’s everything.
DEAN Yeah.
[ Chuckles ]
No, not even close. You see, the Men of Letters kept files on every demonic possession for the last 300 years, I mean, we’ve got Borden, Lizzy, all the way to Crane, Ichabod.
SAM
Aah.
DEAN
How you feeling?
SAM
Honestly, um… My, uh, my whole body hurts. I feel nauseous and like I’m starving at the same time, and everything smells like rotting meat.
DEAN
I’ve had that hangover. Jaeger, man. Maybe you should, uh, take a break, get some air.
SAM
Dean, the only thing that’s gonna make me feel better is finishing this.
DEAN
All right. Well, I’ll go get you some grub, keep your strength up.
DEAN LEAVES
CASTIEL ENTERS
CASTIEL
Morning.
DEAN BRUSHES HIM OFF, CAS LOOKING A BIT HURT
I like this bunker. It’s orderly.
SAM
Oh, give us a few months. Dean wants to get a ping-pong table.
CASTIEL
I’ve heard of that. It’s a game, right?
[ Groans ]
SAM
Are you okay?
CASTIEL
My wound isn’t healing as quickly as I’d hoped… But I am getting better. And you’re getting worse.
SAM
Well, two trials down, one to go.
CASTIEL
And the final test, do you — you know what it is?
SAM
I have to cure a Demon.
CASTIEL
Of what? [ Chuckles ]
SAM
That’s what we’re trying to figure out.
DEAN RETURNS WITH A PLATE
DEAN
Soup’s on. There we go.
DEAN SIPS THE OPEN BEER
I think this is, uh… Oh, it’s still good.
SAM
A half-drunk beer, jerky, and three peanut-butter cups?
DEAN
Yeah, we’re — we’re running a little low. I’ll make a run.
CASTIEL
Dean, I can go with you.
A FEW SECONDS PASS BEFORE SPEAKING AGAIN
Dean. I’m sorry.
DEAN
For what?
CASTIEL
For everything.
DEAN
Everything? Like, uh… Like ignoring us?
CASTIEL
Yes.
DEAN
Or like bolting off with the Angel Tablet, then losing it ’cause you didn’t trust me? You didn’t trust me.
CASTIEL
Yes.
DEAN
Yeah. Nah, that’s not gonna cut it. Not this time. So you can take your little apology and you cram it up your ass.
CASTIEL
Dean, I thought I was doing the right thing.
DEAN
Yeah, you always do.
SAM
[ Clears throat ]
Hey, uh, do we have a room 7B?
INT. ROOM 7B IN THE BUNKER. IT IS FILLED WITH ARCHIVE FILES
SAM
Dude, go easy on Cas, okay. He’s one of the good guys.
DEAN
Dude, if anybody else — I mean anybody — pulled that kind of crap, I would stab them in their neck on principle. Why should I give him a free pass?
SAM
Because it’s Cas.
DEAN
What are we supposed to be looking for down here?
SAM
Um, anything on case 1138. It was a class 5 infernal event — St. Louis, March 8, 1957.
DEAN
“Class 5 infernal event”?
SAM
Yeah. See, the Letters have this whole rating system. “The Exorcist” would have been a class 2.
DEAN
All right, so, what makes this puppet show so special?
SAM
It was weird.
DEAN
Weird how?
SAM
No clue. One of the files just had a note written in the margin about room 7B and the word “weird” with three exclamation points.
DEAN
Good times.
SAM
Yeah. Got it.
DEAN
Sammy, check this out.
DEAN PUSHES BACK TO SETS OF SHELVES TO REVEAL AN AREA WITH A DEVILS TRAP ON THE FLOOR AND MANACLES ON THE WALLS
DEAN
Whoa.
SAM
Is that a Devil’s Trap? It takes up half the room. These chains — they have spellwork etched into them.
DEAN
So we have a dungeon. Finally! What do you got there?
SAM
Movie night?
INT DARKENED ROOM WITH MOVIE PROJECTOR SET UP. IT STARTS PLAYING AN OLD BALCK AND WHITE HOME MOVIE. [ Projector clicking ]
JOSIE
Simon, we’re filming.
SIMON
Um, hello, world.
JOSIE
So this new ritual we’re going to see, This new type of exorcism,h-how does it work?
SIMON I don’t know. It’s my first time.
SAM
Wait,is that Abaddon?
Woman:
WOMAN IS HEARD FAINTLY WHIMPERING
DEAN
It’s not killy enough.
SAM
It’s got to be the, uh, the chick she possessed.
WOMAN
[ Screaming ] [ Grunting ]
FATHER THOMPSON
Hurry. We must do it now.
WOMAN
[ Screaming, grunting ]
Dead! They’re all dead! Everyone you ever loved…
SAM
Hey, those chains look exactly like the ones in our dungeon.
Castiel LOOKS AT SAM A BIT SURPRISED
CASTIEL
In your what?
DEAN
Demon on a leash — cool.
WOMAN
[ Screaming, grunting continue ]
Aah! Aah! Aah!
[ Screaming ]
FATHER THOMPSON AND SIMON
Exorcizamus te, omnis immundus spiritus… hanc animam redintegra…
WOMAN
[ Grunts ]
FATHER THOMPSON AND SIMON
Lustra!
SCREEN GOES WHITE AND THE BODY OF THE WOMAN FALLS TO THE FLOOR DEAD HER HEART MISSING
[ Cracking ]
JOSIE
She’s dead.
FATHER THOMPSON AND SIMON
[ Coughing ]
JOSIE
Where’s the demon?
FATHER THOMPSON
Stop filming.
JOSIE
What happened?
FATHER THOMSON
Will you just stop?!
[ Projector clicks and stops ]
DEAN
Well, that was weird… With three exclamation points.
SAM
That wasn’t a normal exorcism. They changed the words.
CASTIEL
I believe “lustra” is Latin for wash or cleanse.
DEAN
Oh, yeah, ’cause that was the most freaky thing was the vocabulary. What about the bloody high five or the chest burster? Anything else on the film, like director’s commentary, sequel, maybe?
SAM
Yeah, listen to this. The older priest, Max Thompson, bit the dust in ’58, but the younger one is still alive and still in St. Louis.
DEAN
Think this kind of weird is worth the drive?
SAM
Dean, everything in those folders — the possessions, the deals, all of it — we’ve seen that before, but that — That was all new. Yeah, it’s worth the drive.
DEAN
All right. Let’s roll.
CASTIEL STANDS UP
DEAN
Not you.
CASTIEL
Sam is more damaged than I am.
DEAN
Yeah, well, you know, even banged up, Sammy comes through.
CASTIEL
Dean, I just want to help.
DEAN
We don’t need your help. Just stay here and — and get better.
INT CHURCH. ST LOUIS
FATHER SIMON
Father Thompson had some unorthodox ideas, which is why the Men of Letters were interested.
DEAN
Unorthodox how?
SAM
What exactly do you mean, “saved”?
FATHER SIMON
A demon is a human soul, twisted and corrupted by its time in Hell. Father Thompson believed that you could wash that taint away and restore their humanity.
DEAN
So, what, they just stay in whatever schmuck they’re possessing and — and get a ticket upstairs?
FATHER SIMON
I wish I knew.
SAM
Okay, but this — this ritual… Can cure a demon?
FATHER SIMON
I suppose, if it worked, but that night, something went terribly wrong. The Demon escaped into the world, and that poor old woman… It was horrible. I know father Thompson kept trying. There were other possessions, experiments, but I couldn’t face that — not again. And then, a few months later… He was dead.
DEAN
How’d that happen?
FATHER SIMON
Something tore him apart.
SAM
Did he keep any, uh [Coughs] Did he keep records or — [ coughing ] Uh [clears throat] do you have a-a bathroom, maybe?
FATHER SIMON POINTS TO THE BACK OF THE CHURCH
Thanks.
FATHER SIMON
Is he all right?
DEAN
Uh, no, padre. He’s…pretty damn far from all right. That’s why we’re here.
FATHER SIMON
I don’t understand.
DEAN
Well, short story is, uh, Sammy there is gonna take whatever shredded your friend and every other black-eyed bitch out there, and he’s gonna get rid of them for good.
FATHER SIMON
He is? In his condition?
DEAN
Father, over the past couple of months, I’ve seen him do crap that I didn’t even think was possible. I mean, sure, he’s miserable and he’s hurting, but you know what? There’s not a doubt in my mind that he’s gonna cross that finish line — not one. So, will you help us?
FATHER SIMON
I’ll get Father Thompson’s things for you.
DEAN
Thank you.
INTERIOR. MINIMART. CASTIEL IS SHOPPING PICKING UP ITEMS WHICH ARE DEAN’S FAVOURITES – JERKY, HIS FAVOURITE PORN MAGAZINE, BEER, TOILET PAPER… THE CLERK FOLLOWS HIM AROUND AS HE KNOCKS THINGS OVER REPEATING “DUDE!
CASTIEL
I — I have money.
CASTIEL GETS TO THE REGISTER HE LOOKS AT A SMALL PIE STAND
Where’s the pie?
CHRIS THE ATTENDANT
I think we’re out.
CASTIEL
You don’t understand.
CASTIEL GRABS THE ATTENDANT
I. NEED. PIE
[SOUND OF WINGS RUSTLING]
METATRON
Put the virgin down, Castiel. We need to talk.
ACT TWO
CASTIEL
You’re Metatron? The Metatron?
METATRON
Yes. In public, it’s Marv.
CASTIEL
Marv.
METATRON
And you’re Castiel. Kevin Tran told me about you.
CASTIEL
He did?
METATRON
Yeah. According to him, you and I have a lot in common. We’re both free thinkers. We’re both on heaven’s most wanted list. I thought we could socialize, maybe grab a bite.
CASTIEL
I’m sorry — we can…What?
METATRON
Look, I’ve been on sabbatical. I’m trying to play catch-up, but I have to talk to somebody about what’s going on back home.
CASTIEL
And by home, you mean heaven?
METATRON
Right. I’ve been looking around, crawling through a few divine nooks and crannies, and from what I can see, without the Archangels, it’s a mess up there. Open warfare.
CASTIEL
I thought Naomi was running things now.
METATRON
Is that what she told you? I mean, Naomi’s a player — don’t get me wrong — just one of many. There are factions upon factions, all fighting, betraying each other. It’s just a matter of time before they start ripping each other apart. It’s all broken.
CASTIEL
I know, I’m the one who broke it. There was a time when I thought I could lead our people, but I was mistaken. I spilled so much blood. And I’ve tried to atone for my sins and I did penance. And I [sighs] betrayed my friends to protect our secrets, but I’ve just failed. And now —
METATRON
Look, I know. But now the angels — heaven — need someone to come to the rescue. They need us.
CASTIEL
Us?
METATRON
Yeah. Just — just picture it. We ride to the rescue, save the day — make a great story. Look, the angels are like a big, dysfunctional family. We need to lock them all in a room until we work these problems out — all the factions, you, me —
CASTIEL
What, like a big family meeting?
METATRON
Exactly. which is why we have to shut down heaven.
CASTIEL
What?
METATRON
Do you like crepes?
CASTIEL
Wait —
METATRON
Eugenie’s in Ojai makes the greatest caramel apple crepes.
METATRON DISAPPEARS
CASTIEL
Metatron — Marv.
INT. BUNKER
SAM
I can’t find Cas. You think he blew town?
DEAN
Sounds like him. So it turns out that, uh, Father Thompson recorded all of his demon-cure tests. This one here, this was the last one — two days before he died.
DEAN STARTS PLAYING THE RECORDING
FATHER THOMPSON
The date is August 3, 1958. This is trial 19, hour 1. My subject is Peter Kent. Mr. Kent is the father of two young sons, and three weeks ago, he was possessed by a demon. I’m going to ask you a question now. When you crawled into Mr. Kent and ate his children, how did it feel?
PETER KENT
Orgasmic. [ Snarls ] Aah! [ Groans ]
FATHER THOMPSON
The first dose has been administered.
DEAN
Do we know what padre was dosing number-one dad up with?
PETER KENT
[Snarling]
SAM
Uh, yeah, his own purified blood.
DEAN
Purified how?
SAM
Before he started, Father Thompson went to confession.
FATHER THOMPSON
This is trial 19, hour 2
PETER KENT
[ Snarling ]
FATHER THOMPSON
When you ate his children, how did it feel?
PETER KENT
Stringy! Aah!
FATHER THOMPSON
The second dose, has been administered Hour 4
FATHER THOMPSON
When you ate his children —
PETER KENT
Kiss my ass!
FATHER THOMPSON
How did it feel?
PETER KENT
Soft. Aaaah!
FATHER THOMPSON
The sixth dose has been administered
PETER KENT
Stop.
FATHER THOMPSON
How…
PETER KENT
Please.
Aah!
FATHER THOMPSON
…did it…
PETER KENT
Aah! Aah!
FATHER THOMPSON
…feel?
PETER KENT
Stop!!
[Breathing heavily]
FATHER THOMPSON
Hour 8, the subject is prepped.
PETER KENT
Aah! Aah!
[ Breathing heavily ]
FATHER THOMPSON
Exorcizamus te,omnis immundus spiritus.
Hanc animam redintegra,
lustra! Lustra!
FATHER THOMPSON
When you ate his children, how did it feel?
PETER KENT
They were screaming…and I laughed. Why did I laugh? I’m sorry. I’m so sorry. God, I was a monster.
FATHER THOMPSON
But now you are a man again. And you have been saved.
SAM
Did he just… Cure a demon?
DEAN
Maybe.
SAM [ Exhales softly ]
DEAN
Could we take this hoodoo on a test drive?
SAM
Um, I mean, I have the exorcism right here. All we need is the blood, consecrated ground, and a demon.
So, what? We summon a demon, trap it —
DEAN
Or — or we use one that we’ve already tagged.
Do we still have dad’s old army field surgeon’s kit?
SAM
It’s in the trunk. Why?
DEAN
Yeah, I think it’s time we put humpty dumpty back together again.
INT A SMALL CAFE
[ SOUND OF FEATHERS RUSTLING ]
CASTIEL
Why did you leave?
METATRON I can’t have this conversation on an empty stomach.
WAITRESS
Here you go.
METATRON
Thank you.
WAITRESS
[ TURNS TO CASTIEL ]
Can I get you anything?
CASTIEL
Coffee, please.
WAITRESS
Sure. Cool coat.
CASTIEL
No,it’s actually quite warm.
WAITRESS
Cute and funny — okay.
METATRON
I should have picked a better-looking vessel.
CASTIEL
What did you mean, we can shut down Heaven?
METATRON
Oh, you know, the trials — God’s little”pull in case of emergency”
the Leviathans get out of control, you put them in Purgatory.
Demons get a little too demonic, toss ’em into Hell.
Angels get uppity, slam the pearly gates.
CASTIEL
Are you saying you know the trials to close heaven?
METATRON
I wrote ’em down. It’s not something you forget.
Look, I think a little alone time would be good for the angels.
At the very least, it would s–
[ dog barking in distance ]
It would stop the fighting up there from spilling out down here,
which will happen. It always does.
CASTIEL
You’re gonna complete these tests?
METATRON
No. I can’t. I am a pencil pusher, always have been. I’m not strong enough. But you — you are a warrior. I’ve got the plan. You’ve got the muscle. We can do this. Heaven needs your help, Castiel.
CASTIEL
I am the one that caused these problems.
I should be the one to fix them.
METATRON
But you understand this is, um, not going to be easy.
CASTIEL
I understand.
METATRON
No, you don’t. See our waitress? She’s the first trial — got to cut her heart out.
CASTIEL
What? No, she’s… She’s just a girl.
METATRON
No, she isn’t. She’s a Nephilim, an abomination.
CASTIEL
She’s the offspring of an angel and a human? I thought that wasn’t allowed.
METATRON
It’s not. There’s only one on Earth, and you are looking at it.
CASTIEL
But she didn’t choose to be a Nephilim, so she’s innocent.
METATRON
Yes, she is. I told you it wasn’t gonna be easy. But if you want to do this, Castiel, if you really want to do this, you got to ask yourself what’s more important — her life or your family?
INT. BUNKER
SAM
So you really think this will work?
DEAN
Dude, we got needles. We got thread. We’ve seen “Young Frankenstein” about a thousand times. Yeah, we’re golden.
SAM
Ugh. [ Sighs ] This is gonna be disgusting.
DEAN
Uh-huh.
ACT THREE
[SAM finishes sewing ABADDON’s head back on. After a moment, she wakes up]
ABADDON
[cracks her head and sighs in relief]
Morning, sunshines.
DEAN
It worked. You owe me a beer.
ABADDON
And I owe you both so, so much. I can’t wait to tear out those pretty green eyes.
SAM
Good luck with that.
DEAN
We figured kittydidn’t need her claws.
ABADDON
Then I’ll stump you to death. It’ll be swell.
[ Grunts ]
SAM
Yeah, that’s not gonna happen, either. The bullet — remember?
[ Gunshot ]
DEAN
So you sit there like a good little bitch. We’re gonna consecrate the ground, and you’re gonna get to fessing up.
ABADDON
Oh, I know this tune.
SAM
I doubt that.
ABADDON
Father Max Thompson, born October 12, 1910. Died August 5, 1958. Who do you think ripped him apart? Word got back to home office that Maxie was messing with things, so we made an example.It wasn’t my most artful kill, but it was effective. And bonus — before he died, he told me all about Josie Sands. I found her, and I rode her into the Men of Letters.
[ Laughs ] And what I did to them, that was art.
SAM
So you know what Max was doing?
ABADDON
Fella screamed the basics… but it’ll never work.
DEAN
You keep telling yourself that.
SAMS CELL RINGS WITH THE NUMBER ‘666’
[ Cellphone beeps ]
CROWLEY
Hello, boy.
SAM
Crowley.
ABADDON
Crowley? The salesman?
DEAN
Try the King of Hell.
ABADDON
This is a joke, right?
[ Sighs ]
DEAN
Stay.
[ Grunts ]
[ Grunting, breathing heavily ]
ABADDON STARTS LOOKING AROUND AND SEES A BOX CONTAINING HER HANDS AND WILLS ONE OF THEM FROM THE BOX AND MAKES IT COME TOWARD HER
SAM
Hold on.
[ Cellphone beeps ]
How’d you get this number?
Crowley V.O
Ah, first things first — what are you wearing?
DEAN
Oh, okay, hanging up now. Hang up.
Crowley V.O
Fine. This isn’t a social call. I was wondering. You lads been reading the papers, say, Denver Times from yesterday? No? Well, you should. It’s side-splitting.
[ Creaks ]
What the hell — I’m sexting you an address. Check it out. Then we’ll talk. Cheerio.
SAM
Wait, what? Crowley?
[ Cellphone beeps ]
ABADDON IS WILLING HER HAND TOWARD HER AND MAKES IT JUMP UNTO HER SHOULDER MAKING IT REACH INTO HER MOUTH AND TAKE OUT THE BULLET
DEAN
Here it is. Vic’s name is Tommy Collins. Tommy. Why do I know that name?
SAM
Well, Tommy Collins, we saved him from a Wendigo like forever ago.
DEAN
Okay, and, what, you think that Crowley blew his head off? Well, what are we dealing with here? Some sort of Demon-Wendigo team-up?
SAM
Uh, no clue.
DEAN
All right, well, we’ll pour one out for Tommy later. As far as Crowley goes, screw him. We got everything we need to put him in a permanent time-out.
DEAN AND SAM WALK BACK INTO THE ROOM TO FIND ABADDON MISSING
No. No! No! No! No! She’s gone. She’s — son of a bitch!
SAM
PICKS A BULLET OFF THE FLOOR THAT WAS ETCHED WITH A PENTAGRAM
Dean, Dean!
[ Cellphone chimes ]
SAM
It’s a text message from Crowley — an address in Prosperity, Indiana.
DEAN Prosperity? Didn’t we work a case there? Yeah, yeah, the one with the witches and the baked goods. So what? He’s going after somebody there now?
SAM
I don’t know. We got to check it out.
DEAN
Well, you know it’s a trap.
SAM
Of course it’s a trap. But a trap means demons, and we could use one right now.
PROSPERITY, INDIANA
[ Engine shuts off ]
[ Door hinges creak ]
[ Light switch clicks ]
DEAN
Sam.
SAM
Is that…Jenny?
THEY FLASH BACK TO WHEN THEY SAVED HER
DEAN You were a great gal, Jenny Klein.
[ Cellphone rings ]
Crowley V.O
Hey.
SAM
What the hell are you doing, Crowley?
CROWLEY
Oh, Moosie, isn’t it obvious? I’m killing everyone you’ve ever saved — the damsels in distress, the innocent whippersnappers, the would-be vampire chow — all of them.
DEAN How do you even know —
CROWLEY
I have my sources and a cracking research team.
[ Chuckles ] When you boys hit a town, you tend to leave a mess. Now, you’re probably wondering why my droogs aren’t in there giving you the bum’s rush, so let’s brass these tacks, shall we? I’m gonna gut one person every 12 hours until you bring me the Demon Tablet and stop this whole trials nonsense.
SAM
We don’t have the tablet. Kevin took it and —
CROWLEY
I took Kevin. Then someone took him back. Word from the cloud is that it wasn’t Heaven. So either the cutest little Prophet in the world is with you two lads, or you better find him tout-bloody-suite because time, she is a-wasting. About now, you’re thinking of ways to stop me. You won’t be able to, but you’ll try because that’s what you do. You — you try. So, time for an object lesson. Indianapolis, the Ivy Motel, room 116. You have 57 minutes.
[ RECIEVER CLICKS ]
DEAN AND SAM LOOK AT EACH OTHER AND RUN TO THE MOTEL
AT ANOTHER MOTEL UNDER A TREE
METATRON
What’s it gonna be, Castiel?
[ Knock on door ]
SAM
Sarah.
SARAH
Sam?
[FLASHBACK] I’m Sarah Blake. I’m Sam.
What’s going on?
ACT FOUR
WOMAN
I know what you are. I could see your halos.
METATRON
And we know what you are – Abomination.
WOMAN
Please, I’m not. I try to be nice. I just want to live my life.
CASTIEL
We know. I am sorry.
WOMAN
You will be.
SHE GRABS CASTIEL AND THROWS HIM AT THE FENCE, HIS BLADE IN HAND AS IT CLATTERS TO THE GROUND [ CASTIEL Cries out as he Grunts and Groans ]
HER EYE’S GLOW WHITE AS SHE GRABS HIM AGAIN AND THROWS HIM AT A NEARBY DUMPSTER
[ CASTIEL Cries out again and Grunts a bit in pain. breathing heavily ]
WOMAN
Having fun?
[ Chuckles ]
METATRON GRABS THE LADY BY HER COLLAR AND PUNCHES HER FACE, BUT SMIRKED AS SHE GRABBED HIM AND THREW HIM OVER THE BENCH AND HIT THE FENCE
[ Grunts ]
WOMAN
You want an abomination?
I’ll show you an abomination.
[ METATRON IS Choking as Castiel stabs her in the neck ]
[ The woman Groans as the angel blade goes through her neck ]
[ Body thuds ]
[ Panting ]
CASTIEL HAS AN EXPRESSION OF UNCERTAINTY
INT IVY MOTEL
SARAH
So a demon named Crowley is gonna kill me in…16 minutes.
SAM
No. No, he’s not.
[ Knock on door ]
DEAN
Sarah, long time. [ Sighs as he is lugging BAGS ]
What you doing in Indy?
[SETS STUFF ON FLOOR]
SARAH
I…was scouting an estate sale for my dad.
[ Zipper unzips ]
DEAN
OH, HMM..
SAM
Look, we’re gonna put Devil’s Traps everywhere — the windows, the door. We’ve got holy water, an exorcism ready to play on a loop, and anything that comes through that door — it’s meat. Look, I know this is insane, but insane is kind of what we do. We’ll keep you safe.
SARAH
Okay.
DEAN
Okay? That’s it?
SARAH
You’ve done it before.
DEAN IS SPRAYING WARDS ON THE WINDOWS
SAM
That’s new.
SARAH
Yeah, I… His name is Ian. He works search and rescue. Guess I have a type. Our daughter, Bess — she’ll be one in a month.
SAM
That’s, uh, great. I mean it. I’m really, uh… I’m really happy for you.
SARAH
Thanks, Sam. And what about you?
SAM
Me? [ Chuckles ]
Pretty much the same, I guess.
SARAH
No, you’re not. You’re not the same. Look, it’s been years, and I can’t even imagine the things you’ve been through. But I don’t know. You just seem…more focused, confident, like… …like you know what you want. You grew up, Sam.
[ Chuckles ]
SARAH
I do miss the old haircut, though.
[ Both laugh ]
[ Phone rings ]
[ Phone beeps ]
DEAN
Crowley.
CROWLEY
Five… Four… Trios… Zwei… …uno.
SARAH
[ Gagging ]
SAM
Sarah! Hey! Hey! Hey! Hey! Hey! Can you hear me? Sarah!
CROWLEY
She’s dying, and there’s nothing you can do about it.
DEAN
You son of a bitch!
CROWLEY
Son of a witch, actually. My mommy taught me a few tricks.
SAM
It’s a spell. Find the hex bag.
CROWLEY
I thought of sending in a few of my bruisers, really letting them go to town. But then, well, trial one was kill a Hellhound. Trial two was rescue a soul from the pit. So, from here on, I’m gonna keep everything hell-related — demons, et cetera — away from you. Safe side and all that — plus, I just thought it seemed fitting. From what I understand, Sammy took that bird’s breath away. What’s the line? “Saving people, hunting things — the family business.” Well, I think the people you save, they’re how you justify your pathetic little lives. The alcoholism, the collateral damage, the pain you’ve caused — the one thing that allows you to sleep at night, the one thing is knowing that these folks are out there, still out there happy and healthy because of you, you great, big, bloody heroes!
SAM
Hey! Hey! Hey! You’re gonna be okay.
CROWLEY
Sarah? They’re your life’s work, and I’m going to rip it apart piece by piece because I can, because you can’t stop me, and because when they’re all gone, what will you have left?
SAM
No. No, no, no. No. No, please, no.
[SARAH dies]
CROWLEY
You want to keep those people alive. I want complete and utter surrender. The tablet, the trials — you’ll give them up, or we’ll keep doing this dance. Your choice, my darlings.
[ HE HANGS UP THE PHONE ]
[DEAN THROWS THE PHONE ACROSS THE ROOM AND IT BREAKS, THE HEX BAG COMES TUMBLING OUT
[ Breathing heavily ]
[ Breathing heavily ]
ACT FIVE
DEAN
You okay?
SAM
What do you think?
DEAN
Look, I know it’s bad right now, okay, but we stick to the plan. We shut down Hell.
SAM
How, exactly?
DEAN
We get a demon —
SAM
You heard Crowley. He’s not gonna let onenear us, and without a demon, all we can do is sit back and watch people we know, people we saved, die like Sarah.
DEAN
So what are you saying?
SAM
I’m saying… Maybe this isn’t one we can win. Maybe we should just take the deal.
DEAN
We’ll figure this out. We will. Man, we’ll get it done. We’ll kick it in the ass like we always do.
Are you with me?